Authors, Writers, Publishers, and Book Readers
This article in Writer's Digest is very good, How to Build Tension and Heighten the Stakes.
Would you use one or more of these approaches (change, twists or dialogue) or can you suggest alternative methods? How do you do it? I'm interested in what you feel is most effective.
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Well, all the above can help. Adding passion and emotion too. Changing the form of the writing to short sharp sentences. Pulling the reader along the paths you want at breakneck speed. Tweeking curiosity and pushing thought provoking ideas.
Each time is different but if I am clear on the intent of what I am writing it seems to work. Certainly that is how I see other authors doing it too. I can't read a book or see a movie without analysing how they have grabbed the audience, what they are doing with the plot and characters. Its fun. But sometimes I just have to tell myself to suspend my analysis and enjoy the experience.
Ah, the creative chaos of our minds... Is this what being an Artist is?
I just format it so that when they turn the page it says in a giant font...
BOO!
LOL
I like it. wonder if it would work...
Kay Elizabeth said:
I just format it so that when they turn the page it says in a giant font...
BOO!
Just kidding, buddy. Ignore my weird mood. :) I think it's the flu meds LOL. Sean, great answer!
As death invites her to dine. She lay in memory of life. Tears, lining her eyes. One, after another, fall slowly down the wrinkles of age. For time has taken the youth, she once knew. No matter how hard she tries, she can no longer taste the sweet nectar of love. Nor smell the fragrance of another day. For the sky has fallen asleep. And the nights are left unattended...
I'v been informed to show don't tell...This short piece is both. However, it shows and tells how to use (emotions, taste, smells and texture.)
As death invites her to dine. She lay in memory of life. Tears, lining her eyes. One, after another, fall slowly down the wrinkles of age. For time has taken the youth, she once knew. No matter how hard she tries, she can no longer taste the sweet nectar of love. Nor smell the fragrance of another day. For the sky has fallen asleep. And the nights are left unattended...
I'v been informed to show don't tell...This short piece is both. However, it shows and tells how to use (emotions, taste, smells and texture.)
I'd rather have creative chaos than give it all up, Sean, so I guess it is. :)
That's a great point you made about the sentence length. I hadn't noticed that before consciously but now you mention it, I've seen that a lot. Sentences get shorter and choppier, more like fragmented thoughts sometimes.
Good observation! Thanks for sharing that insight.
Sean Noonan said:
Well, all the above can help. Adding passion and emotion too. Changing the form of the writing to short sharp sentences. Pulling the reader along the paths you want at breakneck speed. Tweeking curiosity and pushing thought provoking ideas.
Each time is different but if I am clear on the intent of what I am writing it seems to work. Certainly that is how I see other authors doing it too. I can't read a book or see a movie without analysing how they have grabbed the audience, what they are doing with the plot and characters. Its fun. But sometimes I just have to tell myself to suspend my analysis and enjoy the experience.
Ah, the creative chaos of our minds... Is this what being an Artist is?
Robert, I really liked that. Beautifully said! As death invites her to dine is an excellent line.
Robert Allen said:As death invites her to dine. She lay in memory of life. Tears, lining her eyes. One, after another, fall slowly down the wrinkles of age. For time has taken the youth, she once knew. No matter how hard she tries, she can no longer taste the sweet nectar of love. Nor smell the fragrance of another day. For the sky has fallen asleep. And the nights are left unattended...
I'v been informed to show don't tell...This short piece is both. However, it shows and tells how to use (emotions, taste, smells and texture.)
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