It's important to recognize that what is Shown or what is considered Told often relates to what has preceded or succeeded that point in the narrative. Consequently, something is not automatically being Shown if it's in backstory (sic, flashback).
To explain this via an example, if whenever a particular character heard a loud noise he fell to the ground because he was the victim of Gulf War Syndrome as a result of his military experience in Iraq, this would be Telling the action. If on the other hand the author chose to show the character in a battle scene in Tikrit, then it would be Showing (at least related to that aspect of the overall scenario).
Yet this begs a question: In this instance would it be necessary to Show a graphic battle scene--since the reader already knows about the character's unusual behavior--or would it be more than adequate to Tell the reader via a short insert, still as backstory, that the individual had been in numerous fire fights on the streets of one of he worst hell zones in the entire war zone? In this example it would likely be better to Show the action via a battle scene, but, again, how the writer chooses to handle this should be dictated by what the reader has already learned about the character.
To the other element of your question, in my opinion there is no better way to transition material, should exposition be necessary to add body to a character or a scene, than via backstory. If utilized correctly, backstory is a perfect vehicle to flesh out story elements. And for this reason it shouldn't be eschewed, regardless of whether it's being used to Tell or Show a scene. But backstory must be deftly placed and generally used.
Hi Robert,
I appreciate your knowledge in the area of writing,and your comments on backstory. It both helps,and makes sense. Authors is fortunate to have you.
Regards
Stephen Gray
Hi Stephen! Great to have you here and a warm welcome to Authors.com. :) It’s a very friendly and helpful community as I can see you've found out already.
Let's see about that cup of coffee. I travel on business alot, gives me time to write...maybe we can meet at a Starbucks and talk sometime. Send me an e-mail here on authors.com with your e-mail address or a phone number and we can set up a time early in Feb.
Hi Stephen, great to have you as a "friend." Whenever you come up with an idea regarding a subject you would like to have addressed via an article on writing, please let me know. Also, If you'd like to receive my Free Newsletter every other Tuesday that I post on writing at a level to appeal to major royalty publishers, please visit my web site at http://www.theperfectwrite.com and scroll to the bottom of the page for the simple two-step sign up form. And, again, thanks for your support and interest in my material. Regards, Rob
P.S. I just noticed a word missing from the message I sent you on backstory. The final phrase in the last sentence should've read: and generally used sparingly. I must've cut "sparingly" when I pasted the comment from Notepad. Sorry, as this omission does indeed affect the meaning.
Hi Stephen, I checked and you are signed up, and you'll receive the next Newsletter this upcoming Tuesday. If I can make a suggestion, write a short scene like I used in the example in the blog post: two people talking to each other. I don't care whether you include interior monologue or not, I'll write it in each person's POV so you can see how POV would pertain to something you wrote and not me.
And just so you know, POV is one of the most difficult skill sets to master in all of writing. So get your narrative to me and I'll work on when I have a break. Regards, Rob
scribbler
Jan 16, 2010
Robert L. Bacon
It's important to recognize that what is Shown or what is considered Told often relates to what has preceded or succeeded that point in the narrative. Consequently, something is not automatically being Shown if it's in backstory (sic, flashback).
To explain this via an example, if whenever a particular character heard a loud noise he fell to the ground because he was the victim of Gulf War Syndrome as a result of his military experience in Iraq, this would be Telling the action. If on the other hand the author chose to show the character in a battle scene in Tikrit, then it would be Showing (at least related to that aspect of the overall scenario).
Yet this begs a question: In this instance would it be necessary to Show a graphic battle scene--since the reader already knows about the character's unusual behavior--or would it be more than adequate to Tell the reader via a short insert, still as backstory, that the individual had been in numerous fire fights on the streets of one of he worst hell zones in the entire war zone? In this example it would likely be better to Show the action via a battle scene, but, again, how the writer chooses to handle this should be dictated by what the reader has already learned about the character.
To the other element of your question, in my opinion there is no better way to transition material, should exposition be necessary to add body to a character or a scene, than via backstory. If utilized correctly, backstory is a perfect vehicle to flesh out story elements. And for this reason it shouldn't be eschewed, regardless of whether it's being used to Tell or Show a scene. But backstory must be deftly placed and generally used.
Stephen, I hope this helps and makes sense.
Jan 17, 2010
Stephen Gray
I appreciate your knowledge in the area of writing,and your comments on backstory. It both helps,and makes sense. Authors is fortunate to have you.
Regards
Stephen Gray
Jan 18, 2010
Kay Elizabeth
Jan 19, 2010
Philip Nork
Let's see about that cup of coffee. I travel on business alot, gives me time to write...maybe we can meet at a Starbucks and talk sometime. Send me an e-mail here on authors.com with your e-mail address or a phone number and we can set up a time early in Feb.
Keep in touch!
Phil
Jan 21, 2010
Robert L. Bacon
P.S. I just noticed a word missing from the message I sent you on backstory. The final phrase in the last sentence should've read: and generally used sparingly. I must've cut "sparingly" when I pasted the comment from Notepad. Sorry, as this omission does indeed affect the meaning.
Jan 21, 2010
Robert L. Bacon
And just so you know, POV is one of the most difficult skill sets to master in all of writing. So get your narrative to me and I'll work on when I have a break. Regards, Rob
Jan 21, 2010